OID: E10040387
PIC: 937306636

Mauro Nigro

Mauro Nigro is a videomaker. He worked in every role in the video production workflow. He directed short films(the award winners A WOMAN WITH BRAIN, SOMEBODY’S KNOCKING and CI VEDIAMO DI LA’) , commercials (for the football team Nuova Cosenza Calcio, and 3D commercial for CIPOMO and SIPO medical associations), music videos (for Etnosound, (“Vorria mu moru” videoclip won in 2012 the first edition of Premio Manente), Kutso, Moseek (allmyfriendzare)dead,Coffea Strange (Staying with my giants” has been best music video on march 2016 on thecut.fm and selected to airplay by UK “Latest TV”), Yosonu, Akusma(“e vota e gira” ESCAMONTAGE PRIZE AT 2016 roma videoclip festival). Worked for local televisions (Cam Tele 3, Videocalabria) directing, shooting, editing and creating artworks for many programs. Did many interview for web programs (Daniele Vicari, Urban Sounds) , some backstages (Battle on Ice/MissFraulein, La Moglie Del Sarto)and some documentary films(Cameroun Faces, “Ponti Pialesi” prize winning at Immagini a Confronto 2016 festival , Urban superstar, finalist at BELLARIA FILM FESTIVAL 2014). He also worked in a second shooting unit for a movie(La Moglie Del Sarto). He worked as filmaker for some
reportage that has been on air on the third channel of Italian National television RAI (shooting, editing, sound, photography of ACQUARAGGIA and IL CORAGGIO DI GIACOMOon air in the program Crash, impatto convivenza). He wrote plays, screenplays, music and text of many of the project he worked on. He worked as D.O.P. for the movies IO RESTO QUA, CHI HA UCCISO GIOVANNI LO­SARDO?, IN VIAGGIO CON LEI and for the short movies PLEASE RETURN TO, SOLITUDINI, 197, SAN BISOGNO, LA PRIMA LUCE, GIUSEPPE LETIZIA (LA MAFIA UCCIDE I BAMBINI). He also worked as D.O.P. on the calabrian part of the documentary IL TEMPO RIMASTO, directed by the DAVID OF DONATELLO AWARD WINNING director Daniele Gaglianone. Worked as D.O.P. for music videos “Tu che sai tutto” by Cance and “Le mie
ali” by Chiara F. he also was the D.O.P. of most of his works as a director.